2023 Venice Immersive Selections Revealed (NEWSWIRE)
44 projects from 25 countries and 24 worlds in the Worlds Gallery
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With the 80th Venice International Film Festival right around the corner, August 31st to September 9th, it’s time again for Venice Immersive, and this years slate has an astonishing 44 projects from 25 countries, with 298 in competition.
That’s alongside an additional 24 VR worlds in the Worlds Gallery, which showcases inventive spaces inside VR Chat. Venice Immersive is also the biggest festival to put a spotlight on VR Chat’s world building community by an order of magnitude.
With a list this huge sussing out the highlights is going to take time, and we don’t really envy the jury.
While the pandemic editions of the event featured online access to much of the work, Venice Immersive has been back into physical exhibition since last year. Those with passes to the Film Festival will have access, but so too will those who pick up one of two passes — a 5-Day Venice Immersive pass for € 60 or a full pass for the full run of the event for € 90.
Also of deep interest to our readers will be the “second edition of the Venice Immersive Market (31 August — 5 September), a part of the Venice Production Bridge, will take place on the Venice Immersive Island (Lazzaretto Vecchio).” The market has “14 Immersive Story Projects (9 from Europe and 5 from the rest of the world), including fiction, documentaries and animation films and other interactive installation experiences. All the projects have 30% of their budget guaranteed.”
Somewhere in this extensive lineup are the projects that will define the next few seasons of immersive work.
PRESS RELEASE FOLLOWS
La Biennale di Venezia /
80th Venice International Film Festival
Official 2023 Venice Immersive Selections Revealed /
44 projects from 25 countries /
24 worlds in the Worlds Gallery
Members of the International Jury Include: Singing Chen (President), German Heller, Pedro Harres
Venice, 20th July 2023. — The selection of projects for Venice Immersive, the XR — Extended Reality section of the 80th Venice International Film Festival (30th August — 9th September 2023) of La Biennale di Venezia, is now complete. The official program will take place on the Venice Immersive Island (island of Lazzaretto Vecchio), a short distance from the Lido di Venezia, on the following dates:
● 29th August (afternoon): press preview
● 30th August: open exclusively to Press and Industry accreditations
● 31st August — 9th September: open to the public and all accredited visitors
Venice Immersive is entirely devoted to immersive media and includes all XR means of creative expression: 360° videos and XR works of any length, including installations and virtual worlds.
The Venice Immersive section of the 80th Venice International Film Festival will be held with the support of HTC Vive and VRChat.
Venice Immersive will present 44 projects from 25 countries and 24 works in the Worlds Gallery section:
● 28 projects in Competition
● 10 projects Out of Competition — Best of Venice Immersive (international selection of the best works that have been released or premiered elsewhere since the last edition of the Venice International Film Festival)
● 6 projects developed during the Biennale College Cinema — VR: 1 project produced thanks to the grant from the seventh edition, 5 projects developed within the international workshop of the previous editions
● 24 worlds selected for the Worlds Gallery, presented in guided World Hops Tours, immersive guided tours. The users will be escorted through the selected VRChat Worlds featured in the Worlds Gallery. An ecosystem of virtual immersive worlds created by independent artists from all over the world
The Venice Immersive World on VRChat, will present a virtual version of the Venice Immersive Island. Following the success of the previous edition, the Worlds Gallery section will feature a selection of 24 virtual worlds.
The Venice International Film Festival was one of the first film festivals in the world to show an interest in Virtual Reality. The development of a VR Theatre in 2016 sparked enormous interest among the participants of the Venice Production Bridge. Starting in 2017, La Biennale di Venezia launched the first competition for works in Virtual Reality in an A-list festival, which was held for three editions, through 2019, on the island of Lazzaretto Vecchio on the Lido, judged by an International Jury. The online accessibility of Venice VR Expanded over two editions (2020 and 2021) represented a new commitment and a new challenge to guarantee that the Venice International Film Festival would continue to offer the experience of this new art form, even in times of required social distancing. In 2022 the section, renamed Venice Immersive, returned in person to the island.
Accredited visitors to the Venice Film Festival will have access to all the titles in the line-up. There will also be a special Venice Immersive Pass available for interested visitors who are not accredited at the Festival. The Venice Immersive Subscription is reserved to people over 18 years of age and is available in two formats:
5-DAYS Venice Immersive Subscription (€ 60): valid for 5 days
FULL Venice Immersive Subscription (€ 90): valid from 31st August to 9th September
The members of the international Jury of Venice Immersive are:
● Singing Chen — president: (Taipei) her work encompasses fiction, documentary and VR films and has received numerous festival accolades. Her debut Bundled (2000) competed at Vancouver and God, Man, Dog (2007) screened at Berlinale, VIFF, HK, Busan and elsewhere. Chen’s documentaries detail artistic practice and the environment. Through VR technology she explores space and movement. Afterimage for Tomorrow (2018) was exhibited at the NewImage Festival. Her latest VR experience The Man Who Couldn’t Leave (2022) won Venice Immersive Best Experience at 79th Venice International Film Festival. Chen’s collective work is marked by a deep empathy for disenfranchised characters and a strong sense of social justice.
● German Heller: (USA) is the co-founder and CEO of 3DAR, a leading company in the field of virtual reality and animation. With over 20 years of experience in the role, he has earned nominations for the Emmy awards and at the Venice International Film Festival for projects like Paper Birds, Gloomy Eyes and Eggscape. This last project won the Venice Immersive Special Jury Prize at Venice International Film Festival in 2022. Heller’s diverse roles as a producer, writer, director, and game designer showcase his comprehensive expertise in XR and innovation in experiential design. A former software developer, he leverages his technical background to push the boundaries of digital storytelling and gaming.
● Pedro Harres: (Brazil) is a director, animator, screenwriter and multimedia artist. He was born in 1984, in Porto Alegre and is now based in Berlin. His oeuvre encompasses a wide range of formats, ranging from animation to fiction; traditional screen to XR; and including interactive installations as well. The Venice Film Festival has always played an important role in his career. Castillo y el Armado, his multi-awarded animated short, premiered in the Orizzonti competition of the 71st edition of the festival. After that, it gathered 55 awards and mentions throughout its festival career, including an Oscar qualification. And From The Main Square, his debut in virtual reality, won the Grand Jury Prize at Venice International Film Festival in 2022.
The 2023 Venice Immersive Jury will award the following prizes:
● Venice Immersive Grand Prize
● Venice Immersive Special Jury Prize
● Venice Immersive Achievement Prize
VENICE IMMERSIVE In Competition
EMPEREUR (EMPEROR)
by MARION BURGER, ILAN COHEN France, Germany / 35’
SONGS FOR A PASSERBY by CELINE DAEMEN Netherlands / 25’
TULPAMANCER
by MARC DA COSTA, MATTHEW NIEDERHAUSER USA / 20’
REMEMBER THIS PLACE: 31°20’46’’N 34°46’46’’E by PATRICIA ECHEVERRIA LIRAS
Palestine, Qatar, Spain / 25’
LETTERS FROM DRANCY by DARREN EMERSON USA, UK / 22’
THE IMAGINARY FRIEND
by STEYE HALLEMA Netherlands, Belgium, France / 26’
WALLACE & GROMIT IN THE GRAND GETAWAY
by FINBAR HAWKINS, BRAM TTWHEAM, LAWRENCE BENETT France, UK / 60’
SEN
by KEISUKE ITOH Japan / 15’
MY NAME IS O90 by SIYEON KIM South Korea / 14’
COMFORTLESS
by GINA KIM
South Korea, USA / 15’
BODY OF MINE
by CAMERON KOSTOPOULOS USA / 20’
ONEROOM-BABEL by SANGHEE LEE South Korea / 15’
CHEN XIANG VR
by LIU YUEJUN, WU NANNI, SHI TAO, XU JINGQIU China / 45’
FLOW
by ADRIAAN LOKMAN Netherlands, France / 15’
HOME
by TEMSUYANGER LONGKUMER UK / 32’
PEUPLER (POPULATE)
by MAYA MOUAWAD, CYRIL LAURIER France, Lebanon / 10’
FLOATING WITH SPIRITS
by JUANITA ONZAGA
Belgium, Luxembourg, Netherlands / 31’
SYUHASUU (FREQUENCY) by ELLIE OMIYA
Japan / 25’
PEPITOS: THE BEAK SAGA
by RUXANDRA GABRIELA POPESCU UK, USA / 13’
JIM HENSON’S THE STORYTELLER: THE SEVEN RAVENS by PAUL RAPHAËL, FÉLIX LAJEUNESSE
Canada, USA / 20’
PERENNIALS
by ZOE ROELLIN USA / 17’
FINALMENTE EU (FINALLY ME) by MARCIO SAL
Brazil / 14’
GARGOYLE DOYLE
by ETHAN SHAFTEL
USA, Argentina, Austria / 38’
AUFWIND (UPWIND) by FLORIAN SIEBERT Germany / 28’
HORSE CANYON by NPROWLER Canada / 60’
SHADOWTIME
by SISTER SYLVESTER, DENIZ TORTUM Netherlands, USA, Turkey / 20’
COMPLEX 7 by FINS USA / 30’
SPOTS OF LIGHT
by ADAM WEINGROD Israel, Canada / 14’
Best of Immersive — Out of Competition
(international selection of the best works that have been released or premiered elsewhere since the last edition of the Venice International Film Festival)
ANOTHER FISHERMAN’S TALE
by ALEXIS MOROZ, BALTHAZAR AUXIETRE France / 240’
DAVID ATTENBOROUGH’S CONQUEST OF THE SKIES by LEWIS BALL
UK, USA / 22’
THE FIRST INGREDIENT: TALES FROM SODA ISLAND — CH. 7 by SIMONE FOUGNIER
USA / 17’
SPACE EXPLORERS: BLUE MARBLE — ORBIT 1 by FÉLIX LAJEUNESSE, PAUL RAPHAËL Canada / 24’
THE UTILITY ROOM by LIONEL MARSDEN UK / 80’
CONSENSUS GENTIUM by KAREN PALMER UK, USA / 25’
FORAGER
by WINSLOW PORTER, ELIE ZANANIRI USA / 8’
OVER THE RAINBOW by CRAIG QUINTERO Taipei / 11’
PIXEL RIPPED 1978 by ANA RIBEIRO USA / 20’
GAUDI, L’ATELIER DU DIVIN
by STÉPHANE LANDOWSKI, GAËL CABOUAT France, Japan / 17’
Biennale College Cinema — VR — Out of Competition
QUEER UTOPIA: ACT I CRUISING
by LUI AVALLOS producer: RODRIGO MOREIRA
Portugal, Brazil / 25’
developed during the Biennale College Cinema VR, 6th edition (2021/2022)
TALES OF THE MARCH
by STEFANO CASERTANO, producers: STEFANO CASERTANO, TIM DEUSSEN Germany, Italy / 12’
developed during the Biennale College Cinema VR, 5th edition (2020/2021)
FIRST DAY
by VALERIY KORSHUNOV, producer: SVITLANA KORSHUNOVA
Ukraine / 15’
produced with the grant from Biennale College Cinema VR, 7th edition (2022/2023)
HUMAN VIOLINS — PRELUDE
by IOANA MISCHIE, producers: IOANA MISCHIE, SORIN BAICAN, JEREMY SAHEL & co Romania, France / 19’
developed during the Biennale College Cinema VR, 5th edition (2021/2022)
ORIGEN
by EMILIA SÁNCHEZ CHIQUETTI, producer: EMILIA SÁNCHEZ CHIQUETTI Brazil / 25’
developed during the Biennale College Cinema VR, 5th edition (2020/2021)
A VOCAL LANDSCAPE
by OMID ZAREI, ANNE JEPPESEN, producers: OMID ZAREI, ANNE JEPPESEN Denmark, USA / 14’
developed during the Biennale College Cinema VR, 4th edition (2019/2020)
Worlds Gallery
A TRIP IN THE FOREST by Thrіll
BEYOND A BIT —
想像のちょっと先へ by EstyOctober
BREAK SET
by PK
CLUB DEVIATE
by TOTC
CUBES (EXPERIMENTAL)
by phi16
CYBERLOVE OKINAWA ˸˸˸
沖縄 by Artsy Glitch
DRAGON_TOWN
by COMA.
EPILOGUE
. CHAPTER 1. by DrMorro
EPILOGUE
. CHAPTER 2. by DrMorro
EXHIBITION ⁄ LITTLE TRAITORS
by haruki_haru
FATBOY SLIM — EAT, SLEEP, VR, REPEAT
by Fatboy Slim, ENGAGE XR and Anglo Management
IY MMD WORLD
by Iris Alias
LUMINESCENT LEDGE
by Thorinair
PASS OF TIME
by Karl Kroenen
REALITY IS WRONG
by sɪᴍᴘʟᴇ — ᴡᴀᴛᴇʀ
STORM DRAIN by @CattusEx
TARRIED PRECIPICE
by Karl Koronan
TERRA COTTA VALLEY
by Octuplex
THAD MANDELBOX
by Thad Gyther
THAD RECURSIVE GARDEN
by Thad Gyther
THAD RECURSIVE ROOM
by Thad Gyther
THE SPARK OF THE WORLD
by TSMRE
VEINPRM0118
by VEIN_A
ZEP’S PARTICLE HELL
by Zepwlert
The second edition of the Venice Immersive Market (31 August — 5 September), a part of the Venice Production Bridge, will take place on the Venice Immersive Island (Lazzaretto Vecchio).
In the Spazio Incontri Immersivo there will be, from 31st August to 5th September, panel discussions and activities dedicated to the world of XR — Extended Reality.
The 2023 VPB Focus are Germany and Québec. German Films (Germany) and Sodec (Québec) will have dedicated areas within the context of VPB.
The Island will also be the place where teams (producer and creator) related to the Immersive projects selected for the Venice Gap-Financing Market will gather (1–3 September 2023):
14 IMMERSIVE STORY PROJECTS
14 Immersive Story Projects (9 from Europe and 5 from the rest of the world), including fiction, documentaries and animation films and other interactive installation experiences. All the projects have 30% of their budget guaranteed.
11 PROJECTS AT BIENNALE COLLEGE CINEMA VR
11 projects developed during the Biennale College Cinema VR workshop, seventh edition,
in various phases of development, from pre-production to post production.
Registered delegates with Industry Gold or Trade accreditations will be entitled to request meetings with the selected projects through our website (veniceproductionbridge.org) in the dedicated area to the VGFM.
The Venice Immersive Market will be the place where institutions, professionals, production, post-production and distribution companies, public and private funds linked to the Immersive world will convene.
Thanks again to MEOW WOLF for sponsoring this year’s Next Stage Immersive Summit Next Generation of Creators & Audiences Pillar.
Discover the latest immersive events, festivals, workshops, and more at our new site EVERYTHING IMMERSIVE, new home of NoPro’s show listings.
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